September 1st, 1939. Nazi Germany invades Poland. The campaign is fast, cruel and ruthless. In these circumstances, how is it that ordinary German soldiers suddenly became vicious killers, terrorizing the local population? Did everyone turn into something worse than wild animals? The true story of the first World War II offensive that marks in the history of infamy the beginning of a carnage and a historical tragedy.

In a programme broadcast 70 years to the day after the outbreak of WWII, people who were alive at the time speak of their memories.

在天主教和传统主义主导的意大利，两个少年偷偷发现了新的违禁游戏。

This is a rare look at one of the worst horror stories in the long infamous history of warfare. This series features captured German and Russian film footage, much of which has never been seen before. For decades the Cold War prevented us from looking closely at what really happened between the Russians and the Germans on the Eastern Front during World War II. More than a struggle between nations, it pitted maniacal tyrant against maniacal tyrant, evil ideology against evil ideology. The lives of tens of millions of human beings were consumed by its raging hatreds and appalling indignities. One in every ten Russians died. One in every four Poles died. Whole divisions of Italians, Romanians, Hungarians disappeared with barely a trace. An average of 17,800 people died on every single day and this, the war on the Russian German Front, lasted for 1,400 days. This series features captured German and Russian film footage, much of which has never been seen before.

Broadcast live via satellite around the world on January 31, 1982, this special produced by the US International Communication Agency protesting the then recent imposition of martial law in Poland. Hosted by Charlton Heston, Max von Sydow, and Glenda Jackson, the program features multiple celebrity appearances, speeches by 21 world leaders, and several contributions Polish artists and intellectuals.

A comprehensive look at World War 2 Europe, from the British point of view, segmented into five parts, The Phoney War, The Battle of Britain, The Blitz, The Turning Tide and The Final Chapter. The use of archive footage is brought to life by Michael Aspel's direct and matter-of-fact narration.

This dramatic adventure series tells the story of a group of teenagers who are separated from their families following an invasion of their country, a conflict they never saw coming.

Documentary looking at how war has been dramatised on British television from the Second World War through the Falklands campaign to contemporary conflicts in Iraq and Afghanistan, examining the challenges - both financial and dramatic - in bringing war to the small screen. Why have so many of our greatest TV writers been drawn to the subject, and why has so much of their work been controversial? Should writers always respect the historical facts, or can dramatic licence reveal the greater truth about war? And in a world of 24-hour news, can drama tell us anything about war we canʼt now see for ourselves? It also looks at the lighter side of war, and why it has inspired some of our most successful sitcoms. Is there something about army life that lends itself to comedy? Soldiers who have had their exploits dramatised for television - Colonel Tim Collins, played by Kenneth Branagh in Ten Days to War, and Robert Lawrence, played by Colin Firth in Tumbledown - talk about the experience. Other contributors include historians Antony Beevor and Max Hastings, and playwrights Alan Bleasdale (The Monocled Mutineer) and Ian Curteis (The Falklands Play). Ex-MI5 chief Stella Rimington considers television's coverage of the Cold War, and comedy writers Jimmy Perry (Dad's Army) and Greg McHugh (Gary Tank Commander) discuss the rules of the war-based sitcom.

Habituated to drugs, a young couple, Karthik and Angel commit various crimes in Vizag with the help of a drug peddler. One fine day, they decide to stop all the crimes and settle down in life. Will they be able to come out of the crime world easily?

This Documentary talks about kids in juvenile correctional facilities and about their feelings and how they get better and hope for a better future. Also the staff's point of view